400 Level Courses
HISP 405-01 Survey and Preservation Planning
HISP 405-02 Survey and Preservation Planning
HISP 461 Laboratory in Architectural Conservation
HISP 462 Laboratory Methods in Historical Archaeology
HISP 463 Laboratory in Museum Design and Interpretation
HISP 464 Laboratory in Public Folklore and Cultural Conservation
HISP 468S Recording Vernacular Structures
HISP 469 Laboratory in Preservation Planning
HISP 471-EE: Theories and Practice of Cultural Resource management
HISP 471H Analytical Archaeology
HISP 471kk Industrial and Maritime Preservation
HISP 471 LL - Preserving and Interpreting African American Sites and Structures
HISP 471-MM Memory and Commemoration in American Vernacular Music
HISP 471NN-01 Introduction to Conservation
HISP 471PP-01 Laboratory in Materials Science
HISP 471PP-02 Laboratory in Materials Science
HISP 471QQ-01 Heritage Tourism
HISP 471SS - Sustainability & Historic Preservation
HISP 471W Introduction to Artifacts and Material Culture
HISP 471X Historic Preservation and Public Memory
MARY WASHINGTON COLLEGE
DEPARTMENT OF HISTORIC PRESERVATION
HISP 468-01 RECORDING VERNACULAR STRUCTURES
Mr. Stanton
MTWRFS 800-1700
Trinkle Hall, B-39
COURSE DESCRIPTION
Recording Vernacular Architecture is an intensive two-week course in the methods of recordation, documentation, and interpretation of vernacular buildings through field drawings and photography. The class has three goals. First to give students practical experience with a spread of vernacular construction traditions and building systems, both in range of dates and function of structures. Second, to give students an opportunity to work with recognized experts of field documentation within their areas of specialty. Third, to give students experience in evaluating sequences of changes to buildings and recording periodization of subsequent changes.
Field documentation, one of the most effective methods for learning to Aread@ buildings, is also becoming increasingly important as a form of preservation on paper. Although the goal of historic preservation is to prevent excessive loss of historic resources, circumstances ranging from rehabilitation, imminent destruction, development pressure, or abandonment and neglect often prevent the preservation of actual structures. Sometimes field documentation--scaled architectural field drawings, photography, and architectural descriptions--provide the next best solution and may amount to the only permanent record of historic resources. Good architectural description identifies sequences of historical change and raises questions about social values that motivated these changes. Careful architectural documentation constitutes a lasting record of ideas as well as buildings and provides future generations with important information about historic structures that may have been altered or demolished.
This course expects that you possess some prior knowledge of documentation techniques. As we work on recording buildings we will review specific drawing conventions to make them easier to understand. We will also review basic documentation skills and objectives to insure we are all beginning at the same place. Almost all of our class sessions will take place on site. There are no required readings for this course, although we will be discussing some short articles as they relate to technologies or cultural values as we see them in these buildings. Instead of reading books, you will be expected to learn to Aread@ buildings as text.
CLASS REQUIREMENTS
All students are expected to attend and actively participate in all class meetings. All students are also required to complete all field notes and photographs undertaken during the course of daily site visits. Work will be conducted in a team, generally three students to a team, and assignments will be made to team. Individuals are expected to rotate in the assignments within the team, and the documentation specialist, so everyone will have experience measuring, drawing, describing, photographing, reading the laser distance measuring device, writing field notes. We will review the site and critique the documentation effort done at the end of each day before returning to Fredericksburg.
Each student will complete the following:
1. Field drawing portfolio: your best (in your judgment) floor plan, elevation, section, and site plan drawingsB2 drawings minimum. Each student will turn in a drawing portfolio.
2. A brief written description: In HABS architectural data sheet format, of one of the sites that we have covered, combining the research of all the team members for that day.
3. Photographic portfolio of the site that you have written the description, including a data sheet for each roll of black and white and color slide set taken. Include a list of which five or less photographs best document the site (and why) and also the single photograph that best documents the site.
4. A journal entry for each site that we visit. You can make notes about the site while we are there, but be sure to write summary notes after we have finished on that day.
FINAL GRADES
Final grades for this course will be determined on class participation in field work activities and critiques (30%), written descriptions (20%), photographic portfolio (10%), and field drawing portfolio (40%). Each student will be given a grade of G at the end of the course. You will have until 27 August to complete the written work and turn in the project to me. Projects later than the 27th of August will be graded down a letter grade.
EQUIPMENT
Each student should bring their own architect's scale, mechanical pencil, eraser, and other drawing equipment they feel comfortable using. A gridded notebook for your own notes would be useful. Mary Washington College will provide all film, cameras, tape measures, drawing boards, and paper for this class. Most important is that each student should bring clothing appropriate for fieldwork. Loose fitting, comfortable outfits that allow you to bend and stretch easily, comfortable shoes, a hat, and cotton gloves for working around foliage or dusty areas. If you wish to have pictures of your experience in the class please bring your own camera and film for that purpose.
OFFICE HOURS
Trinkle B-47
Phone: 654-1313
email: gstanton@mwc.edu
During the class there will be no office hours, I will
be in constant attendance, even when we have guest faculty, and will
be working with you directly over the entire time. Once the intensive
fieldwork portion has ended and you are completing your written assignment,
feel free to contact me at the phone number above. I will be in my office
virtually weekday except when I am doing my own fieldwork. If for some
reason I have to be away during one of those periods, please contact
Judy Brushwood at 654-1041, and she will convey your needs to me.
SCHEDULE OF CLASS MEETINGS, TOPICS AND ASSIGNMENTS
Monday 24 May 1999
8:30am Welcome Bessentials (donuts and coffee provided)
9am Orientation to the course, review objectives, discuss student expectations
10am How to Draw a Box
11:30am Representing periods of construction in field drawings
1pm Travel to Office Hall, corner Hwys 301 and 3. Draw meat house and
kitchen.
4:30pm Leave for Fredericksburg
Tuesday 25 May 1999
8am De La Brooke Tobacco Barn. St. Mary's County, Maryland. This is
an early nineteenth century tobacco barn with wrought nails. Kirk Ranzetta
will direct our documentation. Kirk is a graduate of MWC and the University
of Delaware programs. He has been documenting historic buildings in
St. Mary's County for two years and is now beginning to compile a book
on St. Mary's County architecture.
4pm Leave for Fredericksburg
Wednesday 26 May 1999
8am Leave for Farmington. A late 1850s granary-stable combination on
an extensive plantation of the Ryland family. The main house was built
in the 1790s but remodeled by the son in 1859. The granary is an interesting
combination building. Agricultural buildings have exposed framing allowing
us to document the entire structural system. Mark R. Wenger, architectural
historian with the Architectural Research Department of Colonial Williamsburg,
will be our guest instructor.
4pm Leave for Fredericksburg
Thursday 27 May 1999
7:45am Dinwiddie County
9:45am Arrive at the Harper Farm. An early nineteenth century property
with three periods of construction all wrought nails. The earliest?
portion has a roof kick, then a single cell is added across a passage
and then a side passage portion is added. William Graham, architect
and architectural historian at Colonial Williamsburg Foundation is the
guest instructor. He is also a recognized expert in documentary photography.
He will demonstrate large format photography if time allows.
4:30pm Leave for Fredericksburg
Friday 28 May 1999
7:45am Dinwiddie County
9:15am Arrive in Petersburg. Today's assignment is to piece together
the information for an early to mid-nineteenth century store in downtown
Petersburg. The Mitchell store has been highly modified, but evidence
survives to give evidence of the original wall and even shelving locations.
This is classic reconstructive investigation of a historic resource.
William Graham is with us again today.
4pm Leave for Fredericksburg
Saturday 29 May 1999
7:45am While others are on vacation, we'll do a little sightseeing ourselves.
Visit Williamsburg and the DeWitt Gallery to see A1699, When Virginia
Was the Wild West.@ Examine the Matthew Jones house at Fort Eustis.
4pm Leave for Fredericksburg
Sunday 30 May 1999
Rest and Laundry
Monday 31 May 1999
7:45am. Back to Southside. Cross over the James River to Bacon's Castle,
Surry County. The earliest standing dwelling in Virginia presents many
of the features that we saw at the exhibit in Williamsburg. Leave for
Chippokes to draw the cider barn at this state park. This is a late-eighteenth
to early nineteenth century barn and part of a larger agricultural landscape.
4pm Leave for Fredericksburg
Tuesday 1 June 1999
8am Ellis Grist Mill, St. Mary's County, Maryland. This is an early
nineteenth century mill with stone walls and wrought? nails. Kirk Ranzetta
will direct our documentation. As vernacular sites, mills are often
built of local stone and then heavy framing to compensate for the vibrations
of the water powered equipment.
4pm Leave for Fredericksburg
Wednesday 2 June 1999
9am leave for St. Paul's Episcopal Church, King George County. This
eighteenth century church has been rehabilitated several times, but
the core brick structure was begun in the mid-1760s as one of a handful
of Greek Cross, two-story Anglican churches in Virginia. Dr. Carl Lounsbury
of Colonial Williamsburg Foundation will be our guest instructor.
Thursday 3 June 1999
8am Shenandoah Valley architecture. The site to be announced. Dr. Gabrielle
Lanier will be our guest instructor. Dr. Lanier is the author of Everyday
Architecture in the Mid-Atlantic, and currently teaches public history
and building analysis at James Madison University.
4pm Leave for Fredericksburg.
Friday 4 June 1999
9am Falmouth, Virginia. Draw the Basil Gordon House. This house has
seen additions and removals, floods and other insults.
4pm Leave for Fredericksburg
