{"id":88091,"date":"2018-03-14T14:25:36","date_gmt":"2018-03-14T18:25:36","guid":{"rendered":"https:\/\/www.umw.edu\/news\/?p=88091"},"modified":"2018-03-27T12:01:38","modified_gmt":"2018-03-27T16:01:38","slug":"treasures-project-breathes-life-lost-masterworks","status":"publish","type":"post","link":"https:\/\/www.umw.edu\/news\/2018\/03\/14\/treasures-project-breathes-life-lost-masterworks\/","title":{"rendered":"“Treasures” Project Breathes Life Into Lost Masterworks"},"content":{"rendered":"

The piece started off strong, with perfect penmanship and few mistakes, but as Kevin Bartram flipped through the 1800s sheet music \u2013 as the handwriting trailed off and the composer lost focus \u2013 his heart grew heavy.<\/p>\n

\u201cYou could tell he was desperately trying to finish,\u201d Bartram said of the musician, who died before completing the score. \u201cIt was sad.\u201d<\/p>\n

\"From
From left to right, junior Elyse Ridder, senior Juliette Guillox, UMW Philharmonic Orchestra Director Kevin Bartram and senior Bethel Mahoney, who’ve been working on “Unearthing America’s Musical Treasures,” practice in Pollard Hall. Photo by Norm Shafer.<\/figcaption><\/figure>\n

Longtime director of the UMW Philharmonic Orchestra, Bartram has hit plenty of highs and lows while working on the Unearthing America\u2019s Musical Treasures project. Plowing through lost \u2013 but revivable \u2013 works at the Library of Congress (LOC), he felt everything from grief to euphoria. The one emotion that\u2019s remained constant is pride, for the colleagues and students who have stepped up to help.<\/p>\n

\u201cI made a point of having them not simply serve as assistants but as real researchers,\u201d Bartram said of UMW seniors, violinist Juliette Guillox and cellist Bethel Mahoney, and junior violinist Elyse Ridder. \u201cThey\u2019re clearly more self-confident as a result of this project.\u201d<\/p>\n

Saturday night in Dodd Auditorium, joined by legendary trumpeter Arturo Sandoval, the orchestra will play four of the eight fully restored pieces to have come out of the years-long endeavor Bartram hopes to continue.<\/p>\n

It was a lofty ambition to say the least: The LOC\u2019s musical holdings top 25 million. Paired down to only<\/em> symphonic works by only<\/em> American composers, the total falls to a mere 1.5 million. \u201cWhen we first talked about this project, they literally laughed at me,\u201d Bartram told the With Good Reason<\/em> radio show when they interviewed him last March about Treasures.<\/p>\n

\"Pages
Pages like this one, from lost scores by master composers, are the centerpiece of the Unearthing America’s Musical Tresures project. Photo by Norm Shafer.<\/figcaption><\/figure>\n

But in 2015, Bartram, then president of the College Orchestra Directors Association (CODA), took a leap of faith, launching it anyway to promote intercollegiate research. Colleagues across the country joined in, recruiting their own students to help them take over where the masters left off and finish works that might never have seen the light of the stage.<\/p>\n

The team further narrowed the focus to only unknown works written for a full symphony orchestra before 1923, when the concept of \u201cpublic domain\u201d came into play. The first step alone \u2013 searching the stacks for a pool of prospective pieces to tackle \u2013 took a year.<\/p>\n

\u201cSometimes, alone in the library, these composers start speaking to you,\u201d Bartram said of the music, none of which was ever recorded. \u201cThe notes start leaping out. You start hearing the composer.\u201d<\/p>\n

Students Mahoney, Ridder and Guillox jumped at the chance to join the effort.<\/p>\n

\u201cI\u2019ve always been interested in doing music-related research,\u201d Mahoney said. \u201cI knew this would be the perfect opportunity.\u201d<\/p>\n

The work has been tedious. Original manuscripts have been transferred to a computer program, composers studied and scores analyzed. Hundreds of hours have gone into filling the gaps, adding missing musical notes and changing phrases to achieve full orchestral sound. There have been promotional public talks, CODA conferences, daylong trips to the LOC, weekly meetings, countless emails and texts, and, of course, rehearsals and performances, including a show last month clear across coasts in L.A.<\/p>\n

\"UMW
UMW Philharmonic Orchestra Director Kevin Bartram launched the Unearthing America’s Musical Treasures project in 2015. Photo by Norm Shafer.<\/figcaption><\/figure>\n

Among the gems the project has mined are The Birds<\/em>, the first-ever piece penned by Bartram\u2019s former teacher and musical hero Leonard Bernstein as a 21-year-old student at Harvard, and a newly discovered score written by famed composer Aaron Copland, while in Paris in his 20s.<\/p>\n

\u201cI was under Dr. Bartram\u2019s wing with editing and finishing it,\u201d said Ridder, who spent six months resurrecting the score that exists only in manuscript form with Copland\u2019s handwritten notes at the LOC. \u201cDuring the process, I realized more and more that this is what I want to specialize in.\u201d<\/p>\n

During Saturday\u2019s concert, the Philharmonic Orchestra, made up of UMW and Fredericksburg community members, will deliver the first known public performances of an early 1900s work by Charles Hambitzer and an 1862 piece by Karl Hohnstock. The group, joined by Sandoval, also will present Anthony Philip Heinrich\u2019s 1834 Concerto for Kent Bugle<\/em>, the earliest symphonic score on file at the LOC.<\/p>\n

\u201cI believe these composers would be thrilled that their work lives on with this project,\u201d said Bartram, whose focus remains on his students. \u201cI hope they\u2019ve come away with an understanding that through determined effort, they can make a difference.\u201d<\/p>\n

Tickets, which are currently available only at the door on the night of the concert, start at $25.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

The piece started off strong, with perfect penmanship and few mistakes, but as Kevin Bartram flipped through the 1800s sheet music \u2013 as the handwriting trailed off and the composer lost focus \u2013 his heart grew heavy. \u201cYou could tell he was desperately trying to finish,\u201d Bartram said of the musician, who died before completing […]<\/p>\n","protected":false},"author":90,"featured_media":88092,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"umw_cb_additional_links":[[]],"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_advisory_expires_time":"","_advisory_meta_include":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[704],"tags":[],"topics":[5148],"class_list":{"0":"post-88091","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-top-stories","8":"topic-learning-impact","9":"entry"},"acf":[],"yoast_head":"\n"Treasures" Project Breathes Life Into Lost Masterworks - 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